Armenian Embroidery

In the highlands of Armenia, particularly in regions like Marash (located in Cilicia, present-day southeastern Turkey), embroidery and lace-making became an essential part of daily life, especially during the long, cold winters. Unlike in Europe, where needlework was often reserved for the nobility, in Armenian society, women from all walks of life practiced the art of embroidery. 

Marash work, a distinctive style of Armenian embroidery, is particularly renowned for its intricate patterns, often incorporating symbols like the "flower of seven mountains" or knotted motifs reminiscent of architectural designs. Typically stitched in vibrant red or blue against dark backgrounds, these patterns sometimes included pearls or gold and silver thread, used for more significant items. This craft not only adorned homes and dowries but also became an important item of trade in the region.

In Brantford, Armenian women brought these traditions with them, continuing to create embroidered handkerchiefs and other items that reflected their cultural heritage. Many of these handkerchiefs, crafted with fine lace and traditional designs, became popular in the local community during the 1910s. The skill of embroidery, passed down through generations, was both a creative expression and a practical contribution to the household economy. These pieces also served as a means of preserving Armenian identity, as the designs often held deep cultural and religious significance, echoing the rich embroidery traditions used in church vestments and other ceremonial objects.